Rouen 1644-Paris 1717  Related Paintings of Jean Jouvenet :. | Rocky Landscape wt | Portrait of King Charles II | Portrait of Old Man in Red | St Augustine dsfg | The lapidation of Saint Stephen |
Related Artists:
Adriaen van der werff
Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics
Franz Xaver Kosler
Vienna 1864-1905
Antonio Ponce
Spanish, 1608-1662,Spanish painter. He had an undistinguished career in Madrid as a painter of still-lifes and flower-pieces. In 1624 Ponce was apprenticed to Juan van der Hamen y Leen, whose niece he married in 1628. The format of Ponce's compositions and some of his motifs derive from works by van der Hamen, though lacking their subtlety of composition, spatial clarity and formal conviction. In Vase of Flowers, signed and dated 1650 (Strasbourg, Mus. B.-A.), Ponce's style shows laboured imitation of van der Hamen's: his dry execution results in a paradoxically airless and petrified quality. Ponce was always a derivative artist, and some of his still-lifes with seasonal themes are similar to works by Francisco de Barrera, another modest painter with whom he was documented in the 1630s. Paintings from the 1640s and 1650s depicting baskets of fruit and bunches of grapes against light backgrounds are characterized by compositional informality, softer lighting and freer brushwork, through which Ponce attempted to convey the textures of objects and endow the subject with greater naturalness.